Today is the fourth Tuesday of the month, which means that 5 Minutes for Books is hosting their monthly What’s On Your Nightstand? carnival. Click the graphic if you want to see what others are reading or if you’d like to participate.
So, what am I reading these days? Well, in addition to the gobs of catalogs that I’m perusing, as I try to come up with some good stocking stuffer ideas for Christmas, I’m reading The Book of Lies by Brad Meltzer. It’s a fast-paced action/mystery-type book involving the age-old story of Cain and Abel; the 1930′s story of Jerry Siegel, who created Superman; and a modern-day father and son who’ve been reunited after a decades-long separation brought about by a family tragedy.
Whew!
I can’t judge yet whether I’ll love this book or not. But I can tell you this: it is one of those books that I picked up and — suddenly, it seemed — I was on page 100. The premise pulled me in, the action was nonstop, and I had trouble closing the book to go to sleep. I just kept turning pages.
Which leads me to something I’ve been thinking about for a while.
[Note: if you just stopped by to see what I was reading, feel free to stop right here. I won't be offended in the least!]
Not too long ago, I read a blog post in which the writer claimed that “literary fiction” is objectively better than fast-paced “genre fiction.” He claimed that because sentences are more carefully crafted, because metaphors are used to great effect, because the prose practically sings with beauty, and because the writing forces a reader to slow down and think, literary fiction is by necessity better than fiction that does not have beautiful sentences, poetic imagery, and well-used literary devices.
Do you agree with that?
The book I’m reading now is pure genre — there’s action, there’s suspense, there’s mystery, but there’s no singing prose. However, that’s okay with me.
Sometimes, I just want to be entertained with suspense and thrills, and I honestly think that a striking metaphor or other literary device would just be a distraction. The writing needs to be simple and concrete (though still well-done) in order to keep the focus on the rollicking ride.
Other times, I want to read a book with a slower pace that resonates and stirs and makes me say, “Wow! That was a beautifully-crafted paragraph.”
I don’t know, I guess I just think there’s a place for pure, fun storytelling, and a place for striking metaphors and resonating words. And I think, in general, it’s more a matter of personal preference than “objective value.”
Thoughts, opinions?














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